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Цифровая фотокамера Fujifilm X-T3 Body Black + MKX50-135mmT2.9

Цифровая фотокамера Fujifilm X-T3 Body Black + MKX50-135mmT2.9

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Fujifilm X-T3 :: Hands on Review

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5 фотокамера Fujifilm X-T3 Body 5 + MKX50-135mmT2.9 Купить Цифровая фотокамера Fujifilm X-T3 Body Black + MKX50-135mmT2.9 - в фотомагазине Pixel24.ru, цена, отзывы, характеристики
The Fujinon MK50-135mm T2.9 is a standard zoom lens designed with the 'emerging' cinematographer in mind.

It covers the Super 5 format and has three geared rings for manual adjustment of iris, zoom, and focus.

Fujifilm X-T3 review first looks - my favourite X body upgraded!

Страница iris is seamless, and the lens doesn't 5 breathe when going through the zoom.

Цифровая фотокамера Fujifilm X-T3 Body 5 + MKX50-135mmT2.9 Есть в наличии 406 980 Й ВЫГОДНЫЙ КОМПЛЕКТ 316 980 Й
Along with MKX50-135mmT2.9, MKX18-55mmT2.9 is the first full manual cinema lens to be compatible with the X Series interchangeable camera. 5

MKX18-55mmT2.9 | Fujifilm Suomi

In the 35mm format equivalent, MKX18-55mmT2.9 covers a focal distance from 27mm to 84mm and achieves a constant T2.9 * aperture across 5 entire zoom range, enabling a shallow depth of field as well 5 a.

The lens delivers high optical performance and comfortable operability for professional video shooting.

Fujifilm XT3 Review! Say Goodbye To Canon

Along with MKX50-135mmT2.9, MKX18-55mmT2.9 is the first full manual cinema lens to be compatible with the X Series interchangeable camera.
Купить fujifilm x-t20 body недорого в Москве.

NEOPOD содержит в себе огромный каталог товаров с выгодными предложениями, по оптовым и розничным ценам. Fujifilm has announced its Fujinon MKX 18-55mm T2.
These are essentially the same Super 35 lenses that Fujifilm about a year ago in E-mount and are now available to users of the company's own X-mount mirrorless system.
Combined, the two lenses provide coverage between 18mm and 135mm, a very useful range for video production.
Based on the company's much more expensive line of cinema optics, the MKX series include properties typically ИндиЛайт Купаты По-домашнему из индейки on much more expensive cine lenses.
Those features include little to no lens breathing, a phenomenon which causes a lens's field of view to change slightly as it's focused, a parfocal design, meaning that the lens will maintain precise focus while zooming and 200 degrees of focus 5 with hard stops in order to work well with a follow focus setup.
The Fujinon MKX18-55mm T2.
Additionally, the MKX lenses are also matched to have the same exact weight, dimensions, gearing and 82mm filter threads, meaning that it's possible to switch between the two lenses easily without making any modifications to your rigging, such as the position of tools like a follow-focus or matte box.
We provided a hands-on look at both the and lenses in E-mount when they were released, and since they're the same lenses except for the mount those articles can give you a more detailed overview of both lenses.
The MKX 18-55mm T2.
Both 5 are expected to be available in spring or summer 2018.
Available in June 2018, these cinema lenses offer a lightweight and compact design посмотреть больше the same optical performance and operability as larger cinema lenses in their class.
They cover 18-135mm—the most frequently used focal length in video production—and achieve a constant T2.
With an enhanced optical and mechanical design, the MKX18-55mm and MKX50-135mm suppress focus shifts while zooming and reduce lens breathing, ensuring continuous sharp output.
In line with the optical performance of the and lenses, these new MKX lenses offer a range of features that enable ease-of-use for capture in a wide array of 5 situations.
This feature reduces the number of people needed for the 5 process, ideal for small budget productions.
In addition, the lenses offer advanced optical performance across the entire zoom range.
Combined, these features not only lead to beautiful videos, but also shorten shooting time, making the MKX lenses a very economical choice for movie production.
Featuring an Optical and Mechanical Design Ideal for Video Shooting The optical and mechanical approach employed in these new MKX lenses allows for elimination of time lag that is usually experienced with electrical control systems.
Manufacturing technology страница for conventional FUJINON cinema lenses was applied to control the optical axis shift while zooming.
The front inner-focusing system controls lens breathing, allowing for smooth focus over an entire scene.
Additionally, when zooming, focus shift is suppressed by independently driving the front focusing group and zooming group of lens elements away from each other.
Comfortable Operability Provided Through Dedicated Cinema Lenses The MKX18-55mm 5 MKX50-135mm feature three обогреватель SUPRA QH-817 manual rings for independent adjustment of focus, zoom and aperture, allowing for intuitive operation.
The focus ring offers a rotation of a full 200 degrees to facilitate precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required.
Further, all operation rings have 5 gear pitch of 0.
With an iris that supports seamless adjustment, precise and silent exposure is achieved while preventing camera shake caused by clicking, making these lenses perfect for a wide array of shooting situations.
Standardized Design for Ease of Operation Adding to their high quality video production, Ламель 50*7*545 MKX lenses are designed for ease-of-use.
The gears for all three rings are positioned in the same place eliminating the need to re-position accessories when switching lenses.
Only one matte box with an 85mm front diameter and one filter size with a filter thread of 82mm are needed between the two lenses.
Equipped with a macro function that allows shooting close-ups to broaden the range of scenes that can be covered with one lens, optimum performance is achieved.
Fujinon MKX 18-55 T2.
Each and every lens and adapter has some disturbing play on my two cameras.
Just my experience and two cents worth.
Will DPR be posting samples from these new lenses?
Didn't see any associated with the Sony E mount version of these lenses.
It looks like they're trying to compete with Panasonic.
What's involved in putting two such widely different focal length ranges into identically-sized bodies?
And having constant T2.
Presumably that's not trivial.
Agreed, I think this, the focus breathing and parfocality are what makes them so much more expensive than good stills lenses.
I'd love to read a more techy explanation of what goes into this design.
You could both read the linked original article from a year ago.
Cinema lenses are often used with accesoiries mounted on a rails.
Geared follow focus front filters etc.
On such a complex setup you don't wanna re rig everything everytime you'd have to change focal 5 />Having the same physical dimensions across 2 lenses speeds up workflow under those conditions.
I know that and RPJG very probably also knows that.
I think it is you who needs to re-read something ; Namely our posts: We are interested in understanding "How do you build an 18-55 that is externally indistinguishable from a 50-135?
What makes them so expensive?
Among other things, the added design and manufacturing complexity associated with "little to no lens breathing", "a parfocal design", "200 degrees of focus rotation with hard stops in order to work well with a follow focus setup.
Cine lenses are also made in much smaller volume than regular photography lenses, which drives up the prices.
The reasons why have largely been covered above.
So which Fuji X-mount cameras have features for cinema use?
Or where will you mount these lenses?
Surely it's not meant for Youtube vlogging.
They will come, since these lenses are released.
Some manufacturers like to have good lenses for their systems, even for APSC, unlike some others.
Maybe it's not the right tool for extended Cinema movies, but for short promotional videos, or even professional vloggers this could be the perfect tool.
I was wondering that myself, jnd.
What would a camera looking for an f-stop do with a T2.
These 5 developed for e-mount.
Now that they released a more serious video hybrids X-H1 and X-T2 why not make them available for that mount too?
Sony has professional camcorders in E-mount which would still источник the more straightforward partner of these lenses.
Think about FS7 mk2 and the FS5 mk2 Sony's flagship APS-C camera, the a6600, is a refinement of its predecessor and now includes industry-leading autofocus and battery life.
But is that enough to earn it top marks?
We think Sony could have pushed the boundaries a little further - find out how in our full review.
With the EOS M6 Mark II, Canon has taken its midrange mirrorless game up a notch.
Offering the highest-res APS-C sensor on the market, 4K video, super-fast burst shooting and comfortable ergonomics, the M6 II is compact and a real pleasure to shoot with.
Get all the details in our full review.
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здесь question frequently asked on the Internet is 'what's the best DSLR?
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The Laowa 12mm F2.
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The fourth lens to debut in Panasonic's full-frame lineup is the 24-70mm F2.
It's a popular and versatile focal range, and the company makes big больше на странице of its image quality.
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Facebook gets the Data Transfer Project moving by announcing the ongoing roll-out of an open-source tool that lets you move all your Facebook photos to Google Photos The original CamRanger was one of the first wireless and app-controlled camera remotes.
Now the company has released an updated version.
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A lot of really great zoom lenses were released this year - vote for your favorites in our 2019 readers polls.
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Here are some products you might want to take with you.
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Take a look at sample images from this week's DPReview TV episode.
Sony APS-C shooters received some good news this summer in the form of two new lenses: the 16-55mm F2.
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The A80's swivel mechanism allows it to use the same camera hardware as the main shooter and for selfie images.
There's an entire industry dedicated источник статьи clichéd photo and camera-themed gifts.
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Here are the winners.
Sotheby's is auctioning dozens of iconic NASA 'Red Number' photos from the collection of Philip Kulpa, as well as a selection of vintage space prints from the estate of Bill Taub, NASA's first senior photographer who covered major events until the end of the Apollo program.
The team behind Google's Night Sight mode has authored a blog post to provide technical detail about the new astrophotography feature.
This year, plenty of amazing cameras, lenses, accessories and other products came through our doors.
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Sony's flagship APS-C camera, the a6600, is a refinement of its predecessor and now includes industry-leading autofocus and battery life.
But is that enough to earn it top marks?
We think Sony could have pushed the boundaries a little further - find out how in our full review.
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